Showing posts with label English literature. Show all posts
Showing posts with label English literature. Show all posts

Broken Verses: A critical review

Broken Verses: A critical review


The story of the novel tells about Asmani’s quest for her mother and her lover’s whereabouts who have been disappeared for years. After every discovery and information about their death, she gives herself a new hope of their being alive and keeps searching. The hunt takes her to the circles of literati, journalists, poets, media persons and writers. Asmaani comes across various mysterious signs and symbols which increase her curiosity and gives a new ray of hope to continue her search.

The novel makes mention of the Pakistan’s experience with democracy and martial law, and the dictator’s use of various tools for suppressing the voice of dissension and civil society in his reign and the draconian laws against women apparently engineered to woo the conservatives’ support for dictators’ regime. The novel shows how the feminist voices arose in Pakistan and were persecuted and suppressed by the regime. The search for Poet leads Asmani to the vast treasure of verses Poet had left behind.

Asmani’s quest paints a sympathetic picture of a bereaved child after its mother’s departure. she finds Shehnaz Saeed to help and soothe her, and comes across Ed who is a safety-valve for Asmani to release her frustration and they end up in close attachment.

The novel, though a good piece of fiction has its plot loosely knit, and opens so many threads, some of which are rarely woven together, and indicate a somewhat lack of unity in the overall structure of the novel.
 


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By:
Ullah, Inam Gul.                                                                                                                iukhan233@gmail.com


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The Forty Rules of Love: A critical Review

The Forty Rules of Love: A critical Review



On the face of it, it may seem odd that love has a rule let alone forty, however, delved deep into the novel one may find that the rules are not meant to create distance, make the lovers observe formalities and be polite and sophisticated in their contact with the ‘one’ they love, rather the other way round, “ love blurs boundaries”. The novel narrates a twofold story, a search for love and God, an adventure by Shamsi Tabriz and his working relationship with Rumi at Konya and the consequences of the dearth of love on human beings in the person of Ella. Love indeed makes an unusual combination of people and places very much diverse and strangers in their outer form, like wandering dervish, beggars and scholars, dervish in brothel with harlots, prostitute in the mosque and Rumi with wine in tavern. The novel explores how the extreme form of Sufis’ love of God transcends the boundaries of the conventional religious practices to the extent which may amount to blasphemy in the traditional order of religion.  The action of the novel mainly takes place at Baghdad and Konya.
Ella reviews the novel, Sweet Blasphemy, a novel by A.Z. Zahara which deals with Shams of Tabriz’s, the itinerant deverish, adventure of search for God and love at the various places who finally meets Rumi at Konya and transforms Rumi. The experience has given Tabriz ultra- wisdom which he exhibits in the form of his The Forty Rules. On his arrival in Konya the first thing the wandering dervish does is to visit a brothel and encounter a harlot, Desert Rose, who later shuns her profession and becomes an avid mystic in Rumi’s court.
Tabriz encounters Rumi in public who is on horseback crowded by pupils and admirers outside his mosque . Tabriz asks him to get off and answer his question, “which one of the two is great: the prophet Muhammad or the Sufi Bistami?.. Didn’t the prophet say, ‘forgive me, God, I couldn’t know thee as I should have’, while Bistami pronounced, ‘ Glory be to me, I carry God inside my cloak’. The question on its face may amount to blasphemy but in fact its Sufi’s way of love. The question indeed befuddles Rumi and Tabriz answers it based on his wisdom and knowledge. The interaction leads to forty days retirement in Rumi’s library ends up in Rumi’s transformation and keen attachment to Tabriz and sufis’ way of love. The attachment grows to such an extent that it arouses the jealousy of Rumi’s followers, family members and pupils, which ends up in Tabriz’s assassination.
The novel gives an insight into Sufi Islam and the underlying rationale of the Sufis’ modus operandi. The whole universe and its creatures are part of the one great entity, the Almighy, and abound in love. Humans need to understand the scheme of things in the universe which demonstrates love and affection. Humans need to contribute to the repository of love and shun hatred and negative feelings, religion is not a sum of few formulaic worships rather a source which augments and disseminates the love.
Religious freedom and the interconnectivity of religions is the underlying theme of Tabriz’s teachings, as all religions are in fact the different routes leading to one single destination, the love. The novel also shows that how the concept of Sema, the Sufi dance, and Ney, the Sufi musical instrument came into existence in order to strengthen the bond of love.
 Tabriz’s recurrent power of prophecies shows a somewhat unrealistic picture of incidents, overall a superb work, beautifully written, the plot is closely knit, and keeps the readers engaged and fascinating from start to the end.

By:
Ullah, Inam Gul.                                                                                                                      iukhan233@gmail.com


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Kamila Shamsie's Home Fire: A Review

Kamila Shamsie's Home Fire: A Review



By:
Ullah, Inam Gul.                                                                                                                      iukhan233@gmail.com

Kamila Shamsie’ latest novel Home Fire is indeed a reflection of her art of storytelling and eloquent description.  The novel is set in Britain, America, however she, as her usual stock scene, does not forget to shifts the scene to Karachi, her birth place. The novels deals with issues faced by Pakistani migrants and diaspora communities especially in the post-colonial British settings, and the rise of ISIS.
The novel begins with Isma, whose family is settled in London, leaves for America to pursue her PhD. She leaves behind two other orphan siblings: Aneeka and Perviz. Their father ,being a Jihadi, had  died on his  way to Guantanamobay. However, later Perviz is also driven into the war theatre by IS. Isma in USA comes into contact with Emmon, who is the son of the Home Secretary at London. They forge relationship but it does not last for long as Emmon leaves back for London.
In London Emmon comes into contact with Isma’s sister Aneeka and they develop a an intimate relationship. Aneeka wants Emmon, being the son of Home Secreatry, to be instrumental in bringing her brother back to London through his father’s influence. Things, however, don’t happen as she plans them. The Secretary does not agree to the plea of his son, and in turn wants his son to break the relationship with Aneeka, Emmon is not ready to do so. Aneeka and Emmon are having frequent dates with cross purposes, Aneeka focused on the thoughts of bringing her brother back to London, Emmon enjoys the movements.
Perviz, in the meanwhile tires to flee back to London from the camp of terrorists. While trying to reach the British Consulate at Ankara , is shot by someone and dies there. The crises surfaces, when it comes to the burial of the deceased. British government refuses to receive the corpse, whereas Aneeka insists on getting him back to London. However, she does not succeed and the corpse is subsequently transported to Karachi with mixed responses from the public and the government. Aneeka arrives to Karachi  for the funeral rites of her brother. Emmon, despite of his father unwillingness, flies to Karachi and joins Aneeka at this hour of trial.
The novel depicts how the immigrants are influenced by the culture of the host countries and are victims of identity crises on the political, social and cultural fronts. Shamsie depicts the uncertain and precarious position of the migrants especially on the political aspects. They are not willingly owned by either country when they need support from it. Mixed loyalties and tough choices are reflected as motifs in the novel. 



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Can literature be universal?

Can literature be universal?








Analysis of Chinua Achbe’s Things Fall Apart and No Longer At Ease in light of Charles Larson’s Heroic Ethnocentrism: The Idea of Universality in Literature.


Charles Larson rejects the idea of universality in literature; he is of the view that literature produced in one culture represents a set of values which are peculiar to that culture only, therefore to call a piece of literature universal is to impose these values on other arbitrarily, he writes, “when we try to force the concept of universality on someone who is not Western, I think we are implying that our own culture should be the
Standard of measurement”. Each culture has its own set of norms and values which are peculiar to them. Larson writes, “For the most part, the term ‘universal’ has been grossly misused when it has been applied to non-Western literature, because it has so often been used in a way that ignores the multiplicity of cultural experiences.” Larson holds that the concept which are very in vogue in west and are parts of western culture, such as kissing, sex, love, lengthy descriptions of country-life and the concept of hero. He analyses the African culture and literature in comparison to that of the western and concludes that whatever are deemed fashionable in west, are even not recognized by many people in Africa. But does it imply that these people are inferior and uncivilized if they don’t know the western values, he writes, “are these attitudes so different for the African? Is the African way of life less sophisticated than our own? Or is the belief that these supposedly ‘universal’ attitudes should be the same as ours the naïve one? Is this what we really mean when we talk about ‘universality’ in literature—if someone does not react to something in our literature the same way that we do, then he is to be considered inferior? Perhaps the term itself is meaningless”. He says that the African people instead of hero, an individual with extraordinary power, believes in group experience, they value village, clan and tribe etc. he therefore concludes, “The time has come when we should avoid the use of the pejorative term ‘universal.”

Things Fall Apart:
The novel reflects the traditional African society with its own culture untainted by western influences. There is no mention of sex, love, and romantic relationship between the opposite sexes. The African people have been show as firmly believing in superstitions and myths ,the occasion of death is accorded more importance which can rarely be found in other cultures. The society depicted is totally patriarchal and the status and role  of women is confined to domestic chores.  The novel depicts traditions and customs of the African people. There is a great focus on the laws of the tribes.
They believe more in superstitions than in concrete things, as the passage goes, “A snake was never called by its name at night, because it would hear”.  The belief that the ghosts of the dead persons appear and mediate in their disputes has been depicted as follows, “Each of he nine Egwugwu represented a village of the clan . Their leader was called Evil Forest. I am the Evil Forest I kill a man on the day that his life is sweetest to him’. A strange practice of penalty and compensation as Achabai writes, “to choose between war on the one hand, and on the other the offer of a young man and a virgin as compensation”. In order to cure their disease they would resort to other practices than medicine intake, as the passage goes, “the medicine itself was called agadi-nwayi, or old woman. It had its shrine in the center of Umufoia, in a cleared spot.”
In the Nigerian culture as depicted by Achebe , “ onkonkwo has three wives and eight children”. At another passage he writes, “ There was a wealthy man in the Oknonkwo’s village who had three huge barns, nine wives and thirty children’.
The people largely believed in personal achievements and those who were strong in achieving things, Okonkwo’s father was weak in achievement as he says, “ Ask my dead father is he ever had a fowl when he was alive’. They also believed in chi or personal good.
The patriarchal societal order exists in the African culture , domestic violence against women is a common practice and was condoned. As he Achebe writes, “and when he returned he beat her very heavily”.  They also believed in a week of peace in which violence was forbidden, “ in his anger he had forgotten that it was the week of peace”. The origin of the practice is described as, “ our forefathers ordained that before we plat any corps in the earth we should observe a week in which a ma does not say a harsh world to his neighbor.”
They people would firmly believed in tribes and clan laws and any breach of the same would be termed a crime.  As it is put, “ but the law of the land must be obeyed”. Okonkwo’s act of beating his wife is termed by the tribal law as a severe violation , as he writes, “ you would still have committed a great evil to beat her”. The punishment  for the breach of laws is severe as he writes, “ In the past a man who broke the peace was dragged on the ground through the village until he died. But after a while the custom was stopped because it spoiled the peace which it was meant to preserve”.  When the boy gets killed by Oknkwo’s gun the punishment for it is exile, “he could return to the clan after seven years”.
The architectural designs of the African people has been depicted in the noel which is different from that of the West. Instead of apartment or villa there exists obi, and the use of goatskin is vogue for chair. There is division of work some  are assigned to male and other to the female as it is said, “ can I bring a chair for you, no that is a boy’s job”.
The western values such the concept of romantic love,sex, kissing have no room in the African culture. The Africa people even disliked their education system and resisted the inroads of their religion. If the values which are in vogue in Western culture and transmitted through their literature, and the literature  is called universal , then in the western view.

If the standard of the western measurement of literature are applied here, the African literature will be classed as a sub literature, simply because it does not reflect the western values which to them are universal. But in fact every culture has got its values and customs which represent their past and present and no single culture has the authority to declare it  values as universal and superior and judge other people’s culture and values as inferior and less significant. It is therefore Larson opposes the idea of university in literature

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Political issues of Pakistan.
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SOCIAL ISSUES.
CRITICAL CURRENT ISSUES



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